| ... behold,
I have set before thee
an open door...
Revelations 3:8
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< While attending Pratt
Institute I was asked to do a number of self portraits and
it was perhaps my least favorite thing to do next to balancing
my check book.This painting was a declaration of my sexuality...no,
I am not gay! I decided for life to go only 'one way'. I
suffered from rejection. I related to Van Gogh to some extent
but never enough to cut off my ear.This was by far my favorite
self portraits and I feel represents the atmosphere an artist
needs to thrive in.
I was living at 129 Saint
James Place in Brooklyn, New York. I believe that the artists
I lived with will always be a vital influence in my life.
Karen, Carter, David, Roxanne, Tony, Robert, Kevin, Michael
and the many overnight guests.
> My tag was Torn, short
for the white tornado. I was white amongst many African
American teens who were very adapt at break dancing. I was
like the girl in flash dance only perhaps much more real
in the lifestyle I choose to share with TSB - The Shadow
Bombers, The Boogie Boys, JAC Dancers and Howdy High. I
was the white whop lady of Union Square. I was a B girl.
I was a hip hop fanatic. Having met Keith Haring and LA
2, I decided to tag on canvas. I was the white Tornado because
I cleaned homes for a living. I was the white tornado because
I spun around when I danced. I loved to dance. |
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< I learned that the best way to guard
your heart was to have a hedge of protection about you.
The hedge is a bush...on the bush there is fruit...the fruit
of the Holy Spirit...love, peace, patience,long suffering,
gentleness, meekness, goodness, self-control, faith temperance...If
all these are in operation the devil can not have a foothold
or way in to your heart.
> Open the gates that the righteous
nation may enter, the nation that keeps faith. You will
keep in perfect peace him whose mind is steadfast, because
he trusts in you. Trust in the LORD forever, for the LORD,
the LORD, is the Rock eternal. He humbles those who dwell
on high, he lays the lofty city low; he levels it to the
ground and casts it down to the dust. Feet trample it down,
the feet of the oppressed, the footsteps of the poor. The
path of the righteous is level; O upright One, you make
the way of the righteous smooth.
Yes, LORD, walking in the way of your laws,
we wait for you; your name and renown are the desire of
our hearts. My soul yearns for you in the night; in the
morning my spirit longs for you. When your judgments come
upon the earth, the people of the world learn righteousness.
Though grace is shown to the wicked, they do not learn righteousness;
even in a land of uprightness they go on doing evil and
regard not the majesty of the LORD. O LORD, your hand is
lifted high, but they do not see it. Let them see your zeal
for your people and be put to shame; let the fire reserved
for your enemies consume them. LORD, you establish peace
for us; all that we have accomplished you have done for
us. -Isaiah 26:2-12 |
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< I was friends
with Chip Egglestone at the time and I remember him working
on this beat up old black truck in front of Markıs house
next door and to ³keep him company² I painted in my front
yard. I liked doing that because I attracted an audience
of children. I wanted to communicate how much God loved
Chip to restore his faith in Jesus and chose the verse in
Genesis to stir up the truth that God created us. The sand
seemed the closest thing to dust I could find. It was Chipıs
favorite part.
> John 15:5-13
³I am the vine; you are the branches. If a man remains in
me and I in him, he will bear much fruit; apart from me
you can do nothing. If anyone does not remain in me, he
is like a branch that is thrown away and withers; such branches
are picked up, thrown into the fire and burned. If you remain
in me and my words remain in you, ask whatever you wish,
and it will be given you. This is to my Fatherıs glory,
that you bear much fruit, showing yourselves to be my disciples.
³As the Father has loved me, so have I loved you. Now remain
in my love.
If you obey my commands, you will remain
in my love, just as I have obeyed my Fatherıs commands and
remain in his love. I have told you this so that my joy
may be in you and that your joy may be complete.My command
is this: Love each other as I have loved you. Greater love
has no one than this, that he lay down his life for his
friends. |
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< I became a missionary while attending
Regent University with Broken Chains. Jeremiah 29:7 was
the verse God gave to me when I moved into Campostella Square.
It was an awful place and unlivable. I remember telling
God that I would live there if he would let me paint. I
learned to love the ghetto and the children of the inner-city.
> Press On, while living. |
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> I did this
painting for the Associates of the Orlando Museum Art after
Dark On The Road show at Harold and Maudeıs.I wanted to
be sure people knew how to get saved just in case the Lord
led them there to see the work on the walls.The Saul a.k.a.
Paul figure reminded me of my brother. The eye was gross
but I would imagine having scales on your eyes would be
gross.
I relate most to this bible story because
of my own conversion story and how my mom almost named me
Damascus when I was born. I remember my mom telling me that
I was born after a long and painful labor. When the nun
came into her room to ask the name of her baby, she said
Damascus. But the nun said ³Oh no, thatıs no name for a
beautiful little girl, weıll name her Michele Ann for Michael
the arch angel and Michelangelo.² My mom agreed. So I took
Damascus as my pen name, my painting name, and my company
name. |
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Poem Untitled
You know Lord, I've spent all year (1996)
trying to clean up, trying to sort thru and trying to maintain...
My feelings are rapidly changing metaphors of menopause
should I put my life on hold? Is it not yours to live?
As I attempt to to paint, I reflect...what
do I see? But the past...separate and far from me. Friends
and broken hearts, unexpected yet necessary and I'm not
sure why things I do coincide with people I spend time with.
Painting marks times, experiences, moods, periods... some
have a dozen in blue, for me it's true too! But I see each
painting as a world of many moods- stroke after stroke.
To paint...after 2 years of not... to rummage thru hardened
acrylic, smelly mixtures of accomplished works. To bring
all the tools together out of boxes in the garage, and to
risk making mistakes... to spread myself out as the flat
background color... to inconvenience my dad and brother
as I prepare a place to make my messes.
A table here, a table there... only to
confine them to beds, chairs and TVs in their bedrooms...
while I begin to change the atmosphere. To worship God with
creation, with artistic expression, with brushes on canvas
and paint, mixed media. To encourage others that Jesus is
the life, the vine. To declare that apart from Him I can
do nothing. To keep faith alive, to have an attitude of
confidence, to say I paint. Through The Looking Glass (COMPILATION).
The National Library of Poetry. Melissa S. Mitchell, editor.
page 449 İ1997 Michele Ann Travis |
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list of exhibits
Anthrax Gallery - Closet Art - 1982 Stamford, CN
Clarendon Road Church - "Christmas Celebration"
Winter 1989, Brooklyn, NY
Regent University Library - "Student Exhibit"
1991, Virginia Beach, VA
Associates of the Orlando Museum - "On
The Road"
Spring 1997, Orlando, FL
Valencia Community College - "Staff and
Faculty Show"
Summer 1997, Orlando, FL
Associates of The Orlando Museum - "Southern
Womenıs Show" Fall 1997, Orlando, FL
Associates of The Orlando Museum - "Art
& Technology"
Fall 1997, Orlando, FL |
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| İ1982-2000
Michele Ann Travis.
All Rights Reserved. Photos by Sonny Senser. |
Michele, Ode To Van Gogh
24" x 37" acrylic, 1983 |
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Torn, Graffiti Tag
20" x 46" acrylic, glue, glitter
and beads, 1985 |
Heart... Trust God Only
36" x 36" acrylic, spray paint,
glue and glitter, 1992 |
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Peace, Lilies In The Valley
20" x 16" acrylic, 1994 |
In Christ, No Condemnation
48" x 45" acrylic, spray paint.
glue and sand, 1992 |
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The Vine, Still Saved
24" x 36" acrylic, 1996-97 |
Church ...Broken Chains
36" x 50" acrylic, 1992 |
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Water Baptism
30" x 40" acrylic, oil, gold leaf,
spray paint, glue and confetti, 1989 |
Damascus On The Road
36" x 47" acrylic, 1997 |
|
Through
The Looking Glass. The National Library of Poetry.
Melissa S. Mitchell, editor. page 449 İ1997 Michele Ann Travis
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Posted here in remembrance of Michele Ann Travis |